A&H SQ-5X Digital Mixer

AHT-SQ-5X
Digitale

A&H SQ-5X Digital Mixer

AHT-SQ-5X
Veil. pris: Kr 34 440,- inkl. mva
Enhet: Stk
48 channel / 36 bus digital mixer Powered by Allen & Heath’s revolutionary XCVI 96kHz FPGA engine, SQ-5 is built for professionals in the most demanding live sound applications. Delivering class-leading high resolution audio with an ultra-low <0.7ms latency, the SQ-5 gives you unrivalled power and audio fidelity. The mixer has 16 onboard preamps and 8 stereo FX engines with dedicated return channels and...

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48 channel / 36 bus digital mixer
Powered by Allen & Heath’s revolutionary XCVI 96kHz FPGA engine, SQ-5 is built for professionals in the most demanding live sound applications. Delivering class-leading high resolution audio with an ultra-low <0.7ms latency, the SQ-5 gives you unrivalled power and audio fidelity. The mixer has 16 onboard preamps and 8 stereo FX engines with dedicated return channels and access to the acclaimed RackExtra FX library. 12 stereo mixes (configurable as groups or auxes) make SQ the perfect companion for in-ear monitoring setups, whilst Automatic Mic Mixing* takes the strain in multi-mic environments. SQ-5 gives you all the tools to meet any requirement, from AV and corporate events to live productions and houses of worship.

96kHz XCVI Core
SQ is a future-proofed, next-generation console, powered by Allen & Heath’s 96kHz XCVI FPGA engine. XCVI delivers class-leading high resolution audio quality, ultra-low latency of <0.7ms, variable bit depth for ultimate precision and noise performance, mix coherency down to the sample, and the sheer power to handle high channel / mix counts and ample FX / processing.

DEEP processing ready
SQ’s DEEP processing architecture allows owners to hand-pick boutique compressor and preamp emulations to suit their style and needs. DEEP plugins can be embedded directly within the mixer’s inputs and mix channels, all without adding system latency or setup hassles.

The Ultimate IEM Mixer
With no less than 12 stereo mixes and super-low latency, and both parametric and graphic EQ on every mix, SQ is the perfect companion for in-ear monitoring setups. SQ’s airline-friendly compactness and rugged build quality mean there’s no reason to gamble on house monitor consoles again.

Expandable up to 48 mics
SQ-5 has all the onboard I/O you need for standalone operation. Thanks to its SLink intelligent port, SQ can also be expanded up to a total of 48 mic inputs via a family of 96kHz and 48kHz rack and stage box expanders (e.g. AB168, AR2412, AR84 and DX168), making it a flexible, mix ‘n’ match solution for owners of other Allen & Heath digital systems. You can also link your SQ directly to another SQ or even a dLive system.

Dante, Waves and more
SQ is the centrepiece of a growing ecosystem of apps, expanders, audio networking, personal mixers and more, allowing you to connect, adapt and expand to your heart’s content. It’s compatible with leading audio networking standards too – add an audio networking card such as Dante or Waves to SQ’s I/O port and you’re ready to integrate with installed systems, provide a digital FoH / Monitor split and more.


Flexible multitrack recording
The integrated SQ-Drive makes it quick and easy to capture a 96kHz multitrack or stereo recording of the show direct to a USB key or drive. No software setup, no soundcard driver issues and no extra laptop to bring to the performance. SQ-Drive is also a smart way to manage walk-in music.

Also provided is a built-in 32×32 96kHz audio interface for multitrack recording, backing tracks or virtual soundcheck applications. The interface is Core Audio and ASIO compliant and comes complete with MIDI and DAW control capabilities.

Advanced AMM*
SQ’s advanced automatic mic mixer (AMM) features make it ideally suited to mixing conferences, panel talks and TV shows. It’s fully integrated in the mixer too, with no extra latency, so you don’t need to route the audio to an internal DSP rack or an external plugin system.

Designed for the pro
We know that the live environment can be tough on gear – that’s why we devised our most punishing regime of testing and retesting yet for SQ. From its 3-tier, all metal chassis to its extruded aluminium light bar, SQ has tremendous strength and rigidity underlying its good looks.

The Mixing Experience
With each new design, the Allen & Heath team strives to get closer to the ultimate mixing experience. SQ’s dashboard is centred around a high-res 7” capacitive touchscreen, framed by an array of high-grip, illuminating encoders to create an intuitive, integrated blend of clear visual feedback and immediate, hands-on control. Channels and mixes can be dragged and dropped to any strip, with custom naming and colour coding on the colour strip displays, allowing you to build a mixing environment that mirrors your own workflow. Each strip features our patented Chromatic channel metering system, giving you at-a-glance level indication thanks to LEDs with variable brightness and colour.  


RackExtra FX
Allen & Heath has a well-earned reputation for crafting FX emulations that rival the very best plug-ins, but with none of the associated hassle. SQ is armed with 8 stereo FX engines and features the acclaimed RackExtra library of emulations of legendary classic reverbs, gated reverbs, delays, modulators and more. All FX have dedicated stereo returns so you don’t need to waste input channels.

ME Personal Mixing System
SQ is fully compatible with the ME Personal Mixing System, allowing the performers to take control of their own monitor mixes. Any number of ME-1 and ME-500 personal mixers can be daisy-chained from the mixer’s SLink port, or from a connected remote expander.

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Mic/Line Inputs
Mic/Line Inputs Balanced XLR, fully recallable
Input Sensitivity -60 to +0dBu
Switchable Pad -20dB
Analogue Gain 0dB to +60dB, 1dB steps
Maximum Input Level +30dBu
Input Impedance >5k?
THD+N, Unity gain 0dB 0.002% -92dBu (20Hz-20kHz, AES Direct Out, @0dBu 1kHz)
THD+N, Mid gain +30dB 0.003% -91dBu (20Hz-20kHz, AES Direct Out, @-30dBu INPUT 1kHz)
Phantom Power +48V (+3V / -2V
XLR Outputs
XLR Outputs Balanced, XLR
Outputs A and B Balanced 1/4" TRS Jack
Source Patchable
Output Impedance 75?
Nominal Output +4dBu = 0dB meter reading
Maximum Output Level +22dBu
Residual Output Noise -90dBu (muted, 20Hz-20kHz)
AES Digital Output
AES Digital Output Balanced XLR 2 channel,
96kHz sampling rate (Default with SRC Bypassed)
Switchable output sample rates,44.1kHz/ 48kHz/ 88.2kHz/ (96kHz)
2.5Vpp balanced terminated 10M
 
SLink Neutrik EtherCON (RJ45)
dsnake mode (48kHz devices) 64 channels assignable, compatible with AR2412, AR84, AB168, ME, Qu
dx mode (96kHz devices) 32 channels assignable, compatible with DX168
gigaACE (96kHz devices) 128 channels assignable, compatible with dLive, SQ and DXHub
Inputs Fully Patchable
Outputs Fully Patchable
Sync/SRC assignable as master audio sync for all modes, SRC 64 channel
I/O Port Multi-channel I/O option module
Inputs Fully Patchable
Outputs Fully Patchable
Sync/SRC assignable as master audio sync
Signal
Signal Measured balanced XLR in to XLR out, 0dB gain, 0dBu input
Dynamic Range 112 dB
Frequency Response +0/-0.5dB 20Hz to 20kHz
Headroom +18dB
Internal operating Level 0dBu
THD+N, Mic/Line routed to Main L/R Out Unity gain faders@0dB, 0.006%, -84dBu (20 - 20kHz)
dBFS Alignment +18dBu = 0dBFS (+22dBu at XLR output)
Meter Calibration 0dB meter = -18dBFS (+4dBu at XLR out)
Main Meter Type 2 x 12 segment, fast (peak) response
Channel Meter Type Chromatic Channel Metering, fully programmable colour/brightness
Peak Indication -3dBFS (+19dBu at XLR out), multi-point sensing
Sampling Rate 96kHz
Bit Depth Uses XCVI core custom bit widths in algorithms, up to 96bits
Latency <0.7mS, Local Mic Input routed to Main L/R. (Direct, No Effects)
Operating Temperature Range 0 deg C to 40 deg C (32 deg F to 104 deg F)
Mains Power 100-240V AC, 50/60Hz
Max Power Consumption SQ-5/SQ-6/SQ-7 75W / 90W / 110W
 
Faders 100mm motorised
Touch Screen 7" Capacitive, 800 x 480 resolution, 24 bit RGB
SoftKeys 8 (SQ-5), 16 (SQ-6, SQ-7)
SoftRotarys 4 (SQ-6), 8 (SQ-7)
Mute Groups / DCA Groups 8 / 8
Network TCP/IP Ethernet for MIDI and Control
MIDI TCP/IP and USB B
Footswitch Single or Dual, Momentary or Latching
Source
CH1-48 Fully patchable
USB Global Source SQ-Drive or USB B Streaming
Polarity Normal/Invert
Trim -24 to +24dB
High Pass Filter 12dB/octave 20Hz – 2kHz
Insert (Pre EQ/Comp) Fully Patchable
Delay Up to 341ms
Gate Patchable Sidechain
Sidechain filter Hi-pass (20-5k), band-pass (120-10k), Lo-pass (120-20k
Threshold / Depth -72dBu to +18dBu / 0 to 60dB
Attack / Hold / Release 50µs to 300ms / 10ms to 5s / 10ms to 1s
PEQ 4-Band fully parametric, 20-20kHz, +/-15dB
Band 1, Band 4 Selectable Shelving (Baxandall), Bell
Band 2, Band 3 Bell
Bell Width Variable Q, 1.5 to 1/9th octave
Compressor Patchable Sidechain
Sidechain filter Hi-pass (20-5k), band-pass (120-10k), Lo-pass (120-20k), Q=1
Threshold / Ratio -46dBu to 18dBu / 1:1 to infinity
Attack / Release 30µs to 300ms / 50ms to 2s
Knee Soft/Hard
Detector response Peak/RMS switchable
Parallel Path Compression dry/wet -infin to 0dB
Channel Direct Out Follow Fader, Mute, Mute Group, DCA (global all ch)
Source select Post-Preamp, Post-HPF, Post Gate, Insert Return, Post PEQ, Post Comp, Post Delay trim -infin to 10dB per channel
Insert (Pre EQ/Comp) Fully Patchable
Delay Up to 682ms
GEQ 28 bands 31Hz-16kHz, +/-12dB Gain, Constant 1/3 oct
PEQ As Input PEQ
Compressor As Input Compressor
Internal FX 8 x RackFX engine, Send>Return or Inserted (4 dedicated fx bus)
Types SMR Reverb, StereoTap Delay, Gated Reverb, ADT, BlueChorus, Symphonic Chorus, Flanger, Phaser
8 dedicated Stereo FX returns Fader, Pan, Mute, Routing to Mix/LR, 4-Band PEQ
PAFL PFL or stereo in-place AFL, 0 to -24dB Trim, PAFL Delay Up to 682ms
Talkback dedicated input, Assignable to any mix, Gain, Pad, 48V, 12dB/oct HPF
Signal Generator Assignable to any mix, Sine/White/Pink/Bandpass Noise
RTA 31-Bands 1/3 octave 20-20kHz, follows PAFL source
SQ-Drive USB A
Stereo Record 2 channel, WAV, 96kHz, 24-bit, source fully patchable
Stereo Playback 1/2 channel, WAV, 44.1, 48, 96kHz 16,24-bit, source fully patchable
Multitrack Record 16 channel, WAV, 96kHz, 24-bit, track sources fully patchable
Multitrack Playback 16 channel, WAV, 96kHz, 24-bit fully patchable
USB Audio Streaming USB B, Core Audio compliant, ASIO/WDM for Windows
Send (upstream) 32 channel, 96kHz, 24-bit
Return (downstream) 32 channel, 96kHz, 24-bit
AMM 2x 24ch or 1x 48ch, freely assignable
Mode Gain Sharing
Sidechain Filter HPF / LPF 12dB/octave 20Hz – 5kHz / 120Hz - 20kHz
Priority -15dB to +15dB per channel
SQ-5 Width x Depth x Height
Desk mounted 440 x 514.9 x 198 mm (17.3" x 20.3" x 7.8")
Packed in shipping box 610 x 680 x 360 mm (24" x 26.8" x 14.2")
Unpacked weight 10.5 kg (23.1 lbs)
Packed weight 14 kg (30.9 lbs)
SQ-6 Width x Depth x Height
Desk mounted 638 x 514.9 x 198 mm (25.1" x 20.3" x 7.8")
Packed in shipping box 820 x 680 x 360 mm (32.3" x 26.8" x 14.2")
Unpacked weight 13.3 kg (29.3 lbs)
Packed weight 17.3 kg (38.1 lbs)
SQ-7 Width x Depth x Height
Desk mounted 804 x 514.9 x 198 mm (31.7" x 20.3" x 7.8")
Packed in shipping box 960 x 685 x 360 mm (37.8" x 27" x 14.2")
Unpacked weight 17.8 kg (39.3 lbs))
Packed weight 21.9 kg (48.3 lbs)

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