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Plugins Softube Amp Room Bundle

Softube Amp Room Bundle

Varenummer: SOF-ARB

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This collection includes the Vintage Amp Room with its three models of classic guitar amplifiers, the Metal Amp Room for high gain metal madness, and finally the Bass Amp Room which is a natural sounding model of a seriously cool bass amplifier and three different cabinets.

Vintage Amp Room.
The three guitar amplifiers we simulated in Vintage Amp Room are timeless classics that have deserved their place in the history of guitar based music. So instead of simulating tons of amps, we set out to get these three done right instead.

The amps are simulated in a true studio environment with fully flexible click-and-drag microphone positioning. So not only did we simulate the sound of guitar amps in a nice studio, we simulated the entire workflow.

Vintage Amp Room has none of the added gadgets or weird-sounding presets sometimes found in amp simulation software. It provides you with the ultimate tool to create your own guitar sound. Because after all, only you know exactly what sound you want.

White
Based on an all-round great amp that set the industry standard for classic, distorted rock n' roll sounds. The genius is its simplicity. It's stripped down to the bare essentials - all tubes, only one channel, and no reverb or any other built-in effects.

Sound-wise, it goes from mad screaming preamp shred, to warm, speakers-about-to-break power amp distortion. Perfect when you need a characteristically distorted edge and a powerful roar.

Brown
One of the most versatile amplifiers in music history. It's been used in all kinds of genres, and for all kinds of instruments, thanks to a sound that is clean, crisp and clear, but also warm, thick and punchy.

Brown can produce anything from the clearest country-style sound for steel guitars to a dirty, bluesy guitar noise. It works for both funky rhythms and bassy, mellow chords. It's got a notoriously warm sound with a massive bass and a shimmering treble. Versatility embodied, it can do more or less whatever you want it to.

Green
Packed with character and produces a pleasant guitar sound with warm yet intense power amp distortion. Its edginess makes it shine through in mixes, without drowning out other instruments.

Green is based on a very adaptable three-channel amp model. All three channels sound fantastic, but if you want to add a little quirkiness, we especially recommend the vibrato/tremolo one. The original amp has been widely used during the last forty years, from classic pop recordings in the 60's, through to today's users, playing mostly independent and alternative rock.

Features:
Three great-sounding vintage amp models
Raw & authentic sound
Real studio workflow
Flexible & continuous click-and-drag mic positioning
Fully automatable parameters
3-D rendered photo-realistic user interface
Compatible with all effects that work with real amps



Metal Amp Room.
We should probably add it to our end user agreement that by installing Metal Amp Room to your DAW, you agree to having it posessed by a dark and evil force. Plus you may want to consult an exorcist if you should ever wish to uninstall.

Just kidding. Metal Amp Room won't make your computer screen spin (and you won't want to uninstall it either), but it was designed with the intent of letting you metal heads get the most fiercely brutal high gain guitar sound possible out of your DAW.

Metal Amp Room was co-developed with Patrik Jensen (The Haunted) and tailored to his needs. The continuous mic placement from Vintage Amp Room is here as well, but this time with twin mics and adjustable stereo panning. Get a huge stereo sound with complex adjustable phasing effects, a plain old one-mic-right-against-the-cone, or anything in between.

Included is also a fantastic gate, great for palm muting galore. It opens insanely fast - faster than any hardware gate - and its release (how fast it closes after being opened) is program-dependent. This means that fast playing will give you an extremely fast closing gate, while slow playing will yield a slower release.

The cabinets were measured in the In Flames studio (previously known as Studio Fredman) by Tue Madsen (producer of Dark Tranquility, Sick Of It All, Mnemic) and Patrik Jensen. Among the presets, you will find Tue Madsen's own personal favorites.

Features:
Raw and authentic metal guitar amp sound
Made in collaboration with Patrik Jensen (The Haunted) and producer Tue Madsen. Cabinet simulations made in the In Flames studio.
Program-dependent guitar noise gate
Two cabs with two mics per cabinet
Easy to use balancing stereo mic preamp for balancing the two mics
Flexible & continuous click-and-drag mic positioning
Fully automatable parameters


Bass Amp Room.
Bass Amp Room has got everything you need to create a unique signature sound in no time. It's well thought out, and the high quality building blocks will help you produce a huge range of sounds. The Bass Amp Room is all about getting a sound you know you can trust, and getting it quickly.

Although it was originally designed as a guitar amp, the 70's amp that has been modeled has proven to be an excellent choice for bass players. A thick and solid preamp distortion without any fizziness lets you crank it up without losing the low end. The power amp has a more traditional power amp distortion (controlled by the Master Volume knob), which at extreme settings will give you all the dirt you can handle. The High/Low switch wasn't a part of the original amp, but was added to give you a cleaner and fatter sound when necessary.

There are three different cabinets in Bass Amp Room. The 8 x 10" is an industry standard for fat and solid bass tones with lots of low end and lots of definition. The 4 x 12" may be a good choice for rock sounds with its focused and hard sound. And lastly, while an open back 1 x 12" may not be the first cabinet choice that springs to mind for bass, this is something that works extremely well in the studio.

Many engineers like to blend in some DI signal from the bass in the mix, and to facilitate this we have added a DI section that does precisely that, and more - we also put in three tone controls and a limiter.

In short:
Authentic amp and cabinet modeling
One amplifier and three versatile and good-sounding cabinets
Flexible and continuous click-and-drag mic positioning
Slider control to blend in the DI sound from within the plug-in
Tone control, Low and High cut filters plus limiter in the DI section


Includes licenses for VST, VST3, Audio Units, RTAS, AAX Native and AAX DSP.
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